the first reading of this feast is the story of the israelites compaining in the desert, so they are punished with a course of serpents. as they lay dying, they begin to repent, so God tells Moses to raise up a serpent on a pole, and whomever gazes on it will be saved from death.
photo courtesy of artvalue |
the biggest sin that the israelites commit after leaving egypt, the one that kept them in the desert for forty years and brought the serpents to them, was grumbling against God--some translate it as "murmering" against God for not leading them directly to the promised land. this whole thing has so many layers of symbolism that it is hard to stay focused: for us, egypt is our own sin, and the desert is our own life, which gives us the opportunity to become pure, to enact our salvation and live out grace so that we can stand with God, with nothing between Him and us. because any speck of sin is incompatible with God's presence (hence the strongest argument for Mary being pure from sin: if Christ was to live in her, she could not have had original sin. Christ and sin cannot cohabitate). so it makes sense that sin must die, typified by the serpent on the pole, before we enter heaven.
but Christ was sinless.
then i remembered an image that an artist i knew many years ago had been given. i do not remember the whole scene, except that it depicted Christ in profile. in iconography, saints are always shown with their whole face, which is why if one is looking off to the side, the face looks out of proportion: so it can show the whole of it. and which is why, if you look at an icon of the last supper, you can tell which is judas, because he is the only one shown in profile. so this friend remarked that this image was blasphemous, unless taken in the context of that verse that Christ was made sin . . .
the verse is 2 Corinthians 5.21, and the KJ translation reads, "For he hath made him to be sin for us, who knew no sin; that we might be made the righteousness of God in him."
giotto's crucifixion |
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