Music articulates the inner dynamism of man's existential self . . . but 'music' is never some impersonal, abstract energy; it is 'performed' by musicians with all their distinctive individualities . . . and since the inner growth into ethical personhood is not determined by any unchangeable law of nature but is a process shaped and threatened by countless dangers and interferences, a thousand different expressions of pretense, error, and confusion can also appear. Thus the musical articulation may include a shallow contentment with the facile availability of the cheapest 'goods', the rejection of any ordered structure, the despairing denial that man's existential becoming has a goal at all or that such a goal could be reached.
Only the Lover Sings
